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Introduction
The society in The Pearl is portrayed to be driven by selfishness. A number of characters are out to do everything so as to gain from the discovery of the pearl. This makes them materialistic as discussed.
- Kino develops greed and selfishness when he got the pearl. He spent long hard hours searching the ocean floor for a plan. He wanted to take his son to the hospital but later he became so materialistic. When people ask him what he would buy when he became rich, he would quickly give a long list of items he wanted of which were about himself.
- The doctor is another character who is greedy. He visits Kino’s house to treat Coyotito when he gets news that Kino got the pearl. The narrator says the doctor is treating a woman whose sickness is old age only but he doesn’t tell that truth because he needs to make many from the poor soul. Even the beggars describe the doctor as money loving.
- The priest is interested in exploiting Kino’s wealth as everyone else. He hopes he can find a way to persuade Kono to give him some of the money. He wants them to pay for their Church wedding and also baptize Coyotito.
The pearl buyers try to buy Kino’s pearl for less cost. They exploit the villagers by buying pearls at a very low price.
The trackers, a group of violent and corrupt men are exploitative and materialistic. They attempt to steal the pearl from Kino. They even followed the family to get an opportunity to steal from them.
Accept any 4 points x 3 mks each - 12 mks
Accept any relevant conclusion - 2 mks
Language - 4 mks
marto answered the question on April 15, 2019 at 12:08
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THE PAUPER.
Pauper, pauper, craning your eyes
In all directions, in no direction!
What brutal force, malignant element, Dared to forge your piteous fate? Was it worth the effort, the time?
You limply lean on a leafless tree
Nursing the jiggers that shrivel your bottom
Like baby newly born to an old woman.
What crime, what treason did you commit
That you are thus condemned to human indifference?
And when you trudge on the horny pads,
Gullied like the soles of modern shoes,
Pads that even jiggers cannot conquer;
Does He admire your sense of endurance
Or turn his head away from your imprudent presence?
You sit alone on hairless goatskins,
Your ribs and bones reflecting the light That beautiful cars reflect on you, Squashing like between your nails. And cleaning your nails with dry saliva.
And when He looks at the grimy coating
Caking off your emaciated skin,
At the rust that uproots all your teeth
Like a pick on a stony piece of land,
Does He pat his paunch at the wonderful sight?
Pauper, pauper, crouching in beautiful verandas Of beautiful cities and beautiful people, Tourists and I will take your snapshots, And your M.P. with a shining head and triple chin
Will mourn your fate in a supplementary questions at question time.
(Adapted from poems from East Africa, by Cook and Rubadiri EDS)
i) Identify the persona in the poem above. (2 marks)
ii) What evidence from the poem suggest that the subject is poor? (4 marks)
iii) Comment on the writer's use of imagery in stanza two. (3 marks)
iv) Apart from the imagery indentified in
(iii) above, discuss any two other stylistic devices employed in the poem. (4 marks)
v) What is the persona's attitude towards the M.P. (2 marks)
vi) Discuss one theme brought out in the poem. (2 marks)
vii) Explain the meaning of the following words and expression as used in the poem. (3 marks)
a) Emaciated .
b) Crouching.
c) Gullied like the soles of modern shoes.
Date posted: April 9, 2019. Answers (1)
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interest. He waears and the tip of his long nose. His hair was an amazing yellow and wonder of wonders hid eyes were blue. Nevertheless he was
human and spoke with a human if strange voice - rather resonant with an unusual timbre, somewhat harsh to the ear.
“Great chief. I am a widow. My husband was the chief of Sakwa. We had two sons. The first one who would have
been chief died in the big war of the white people. His brother also died accidentally soon after taking over the chief?s stool. He left
one child, a son who is but a toddler. For this reason my late husband?s brother has taken over the chief?s stool supposedly in
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all his brother?s wealth and is now at war with me, trying to grab my own personal wealth as well. He feels that being a woman I
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stool? May Were, God of the rising sun (the interpreter translated that simply as God) give his wisdom to you so that you can decide
this matter fairly. Thank you.” She sat down.
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was well aware how deeply these people were steeped in their tradition - they called it Chik. Chik governed every aspect of
the life of the people. It was the glue which held the people together, thus preventing disintegration of the fabric of society
and chaos. Without Chik to tell each person where he fitted in the exact order of things, where he came from and where he
could expect to go, there would be confusion and apprehension. Very few rebelled and were outcast, cut off from the people
like a branch from a tree. The majority were glad to avail themselves of the surety it offered; to do and to be done by.
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“Looks like it,” replied the twins.
“Don?t you think he should have decided? Aunts? case is after all so s actually white - not cloud white, but an indefinable translucent colour with spots of red on the cheeks, theAkoko and her nephews left the tribunal and went back to their benefactor?s home. They discussed the DO?s decision. “You
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“Don?t you think he should have decided? Aunts? case is after all so clear.”
“May be he should have taken a longer time to think.”
“He probably does not understand the way of Chik. After all he is white.”
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d. Apart from traditions which other three themes are evident in this excerpt? (6 marks)
e. Identify and illustrate two stylistic devices employed in this extract. (4 marks)
f. Akoko tells her nephews that she thinks this 'Diyo' will help her. How does this happen later in the story. (4 marks)
g. 'I think this Diyo will help me,'
(Rewrite the sentence and add a question tag) (1 mark)
h. What is the name of the benefactor mentioned in the extract?
Date posted: April 4, 2019. Answers (1)
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