a) Women were expected to buy the society to have limitations by the virtues of them being women. When Akoko wasgetting betrothed to Owuor Kembo, she was expected to be shy and hold her hands on her mouth. Awiti was not expected to be brighter than the boys in her joss and openly show it.
b) Women could only get recognition by having a male child. Akoko’s property and recognition was threatened by
Otieno Kembo because she didn’t have a male child to inherit the chieftaincy. Nyambera had to leave and seek Christianity to get peace since she could not give a son. Nyambera had to leave Aluor to go back to the husband (inherited) to look for another child despite having Awiti.
c) Women could not own/inherit property or power. Otieno Kembo takes Akoko’s property because her husband died. She could not take chieftaincy. She goes to her brother Aloo.
d) Women were mistreated. Akoko is insulted by her in-laws and accused of witchcraft. She is blamed for not getting children. Otieno Kembo mistreated his wives. He treated them like ‘sluts’ even when they were loyal to him.
e) Women suffered negligence. Mark Sigu neglects his wife and has an affair with another woman. He forgets his responsibility as a husband. A widow could have a man to give her children. The responsibility of their upbringing is left for the woman. Nyabera felt that ‘Chic’ had erred on this matter and leaves the woman helpless. Wandia raises all her children single handedly despite her being diabetic and old.
marto answered the question on June 11, 2019 at 08:49
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FIRST LAWYER (bowing):Thank you, your honour. High court of Justice, of all ties of blood are strongest.
Mother and child - is there any intimate relationship? Can one conceived it in the holy ecstasies of love. She has carried it in her womb. She has fed it with her blood. She has borne it with pain. High court of Justice, it has been observed that the wild tigress, robbed of her young, roams restless through the mountains, shrunk to a shadow. Nature herself..........................................
AZDAK (interrupting, to GRUSHA) : What’s your answer to all this and anything else the lawyer might have to say?
GRUSHA: He’s mine.
AZDAK : Is that all? I hope you can prove it. Why should I sign the child to you in any case?
GRUSHA: I brought him up like the priest says “according to my best knowledge and
conscience.' I always found him something to eat. Most of the time he had a roof over his head. And I went to such trouble for him. I had expenses too. I didn’t look
out for my own comfort. I brought the child up to be friendly with everyone, and from the beginning taught him to work. As well as he could, that is. He’s still very little.
FIRST LAWYER: Your Honor, it is significant that the girl herself doesn’t claim any tie of blood
between her and the child.
AZDAK: The court takes note of that.
FIRST LAWYER: Thank you, your HONOUR. And now permit a woman bowed in sorrow __ who has already lost her husband and now has also to fear the loss of her child ___ to adress a
few words to you. The gracious Natella Abashwili is .............
GOVERNOR’S WIFE (quietly) : A most cruel fate, sir, forces me to describe to you the tortures of
bereaved mother’s soul, the anxiety, the sleepless nights the ..........
SECOND LAWYER (bursting out): It’s outrageous the way this woman is being treated! Her husband’s palace is cold -bloodely told that it’s tied to the heir. She can’t do a thing without a
child. She can’t even pay her lawyers!! (To the FIRST LAWYER, who, desperate
about this outburst, makes frantic gestures to keep him from speaking) Dear
Illo Shuboladze, surely it can be divulged now that Abashwili estates are at stake?
FIRST LAWYER: Please, Honored Sandro Oboladze! We agreed............. (TO AZDAK) Of course it is correct that the trial will also decide if our noble client can take over the Abashwilli
estates, which are rather extensive. I say “also” advisely, for in the foreground stands
as human tragedy of a mother, as Natella Abashwili very properly explained in the first words of her moving statement. Even if Michael Abashwili were not heir to their estates, he would still be the dearly beloved child of my client.
AZDAK: Stop! The court is touched by the mention of estates. It’s a proof of human feeling.
SECOND LAWYER: Thanks, Your Honor. Dear Illo Shuboladze, we can prove in any case that the woman took the child is not the child’s mother. Permit me to lay before the Court the
bare facts. High Court of Justice, by an unfortunate chain of circumstances, Michael
Abashwili was left behind on that Easter Sunday while his mother was making her
escape. Grusha, a place kitchen maid, was seen with the baby............
COOK: All her mistress was thinking of was what dresses she’d take along
(a) Explain what happens shortly before and after the extract.
(b) In not more than thirty (30) words, summarize the points in the argument that the first lawyer gives in favour of Natella Abshwili.
(c) Explain any two character traits of each of the following characters
(i) Natela Abashwili
(ii) Grusha
(d) Identify and illustrate one theme in the extract and show how it is brought out elsewhere in the play
(e) Explain the relevance of the following stylistics devices as used in the extract
(i) Ellipsis
(ii) Rhetorical questions
(f) (i) ‘I always found him something to eat.” Rewrite, adding a question tag
(ii) Azdak: Is that all? I hope you can prove it. Rewrite in indirecct speech.
(g) Explain the meaning of
‘..................... it has been observed that the wild tigress, robbed of her young....................
(h) Give two possible meanings of the word ‘Permit
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SINGER: So many words are said, so many left unsaid.
The soldier has come Where he comes from, he does not say.
Hear what he thought and did not say:
“The battle began, gray at dawn, grew bloody at noon.
The first man fell in front of me, the second behind me, the third at my side.
I trod on the first, left the second behind, the third was run through by the captain.
One of my brothers died by steel, the other by smoke.
My neck caught fire, my hands froze in my gloves, my toes in my socks.
I fed on aspen buds, I drank maple juice, I slept on stone, in water.”
SIMON: I see a cap in the grass. Is there a little one already?
GRUSHA: There is, Simon. There’s no keeping that from you. But please don’t worry, it is not mine.
SIMON: When the wind once starts to blow, they say, it blows through every cranny. The wife need
to say no more. (GRUSHA looks into her lap and is silent)
SINGER: There was yearning but her was not waiting.
The oath is broken. Neither could you why.
Hear what she thought but did not say:
“While you fought in the battle, soldier,
The bloody battle, the bitter battle
I found a helpless infant
I had not the heart to destroy him
I had to care for a creature that was lost
I had to stoop for breadcrumbs on the floor
I had to break myself for that which was not mine
That which was other people’s
Someone must help!
For the little tree needs water
The lamb loses its way when the shepherd is asleep
And its cry is unheard!'
SIMON: Give me back the cross I gave you. Better still, throw it in the stream. (He turns to go.)
GRUSHA: (getting up) Simon Shashava, don’t go away! He isn’t mine! He isn’t mine! (She hears the
children calling.) What’s the matter, children?
Questions.
1. Place the extract in its immediate context.
2. With illustrations from the extract make notes on experiences during the war expounded in the extract.
3. 'But please don’t worry it is not mine,' Who is it in the statement and explain why Grusha says it is not hers?
4. Explain the mood of the extract.
5. How are Grusha and Simon potrayed in the extract?
6. What is the role of the Singer in this extract?
7. Identify and illustrate one theme from extract.
8. Grusha tells Simon Shashava, “Don’t go away! He isn’t mine! He isn’t mine!” From elsewhere in
the play, quote the instances where she states the opposite.
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