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Read the following narrative and answer the questions that follow.

Read the following narrative and answer the questions that follow.

An Old Woman and her Deformed Son
There was an old woman whose children died in infancy and only a deformed boy survived to grow into adulthood. The boy was a hunchback.
Although the old woman loved this hunchback son of hers, she was secretly ashamed of his physical appearance. She was so ashamed that each day she was on the look – out for visitors who might come around just to make fun of him. To keep him away from the public eye, she used to confine him in a drum most of the time. So, right from his childhood the boy grew up in a drum. He was taken out only a few times during the day when the old woman was sure that there were likely to be no intruders around. When the boy attained circumcision age, he was duly circumcised. After circumcision he said to the old woman, “Mother, I now want a wife, can you please find me a girl to marry!” “Yes, my son”, said the old woman. “I will try. I am indeed very pleased to learn that you are already thinking of a wife.”
By and by, the old woman went to look for a suitable girl to marry her son. She approached a pretty girl and asked her whether she would be interested in marrying her son and the girl, promised to think about it. Without disclosing her son’s physical defects to the girl, the old woman set about wooing her intensively. She brought all sorts of gifts to her mother, helped the girl to collect firewood and even helped her with the work in the shamba. Reluctantly the girl gave in and there upon requested the old woman to make the necessary arrangements so that she would meet the future husband. The old woman cunningly suggested that the girl should accompany her to her house where she would be able to meet the boy.
The old woman lived a long way from the girl’s village. On the day when the girl decided to visit her prospective bridegroom, she walked and walked until sunset. It was a very long journey indeed. When she eventually arrived, the old woman pretended that the young man was around and would appear shortly. The girl waited and waited but the boy did not appear at all. At bed time the girl was told that the boy was already in bed sleeping. She was shown a separate place to sleep, and thus no opportunity to either see or talk to the boy as would have been expected of people who were planning to live together. Very early in the morning the girl asked the old man, “ Please, where is the boy you want me to marry?” and the woman replied, “ My son woke up early in the morning and went to work in a different village yonder so that he can earn something for your bride price”
Although the girl was visibly disappointed, she tried to conceal her sentiments and appear to be at home with everything around the house. The old woman and the girl went to cultivate in a banana grove. While they were away the boy jumped out of the drum and busied himself about the house with the little chores singing:
Khanenuya munju, mwange, Khanenuye munju mwange
Mkhasi nakikhali misilu, maji kakuombelesay musecha kacha
Khuema, abele khuchuma nacha sina?
Menyile, mukhang’oma, kurumba kuli khumukongo
(Let me busy myself in my house. Aren’t women foolish? Mother fooled her. “Your husband has gone to work.” How could I have gone to work? I just live in my little drum because I have a hunchback.)
The girl heard the boy’s singing but it was so faint that she would neither comprehend the meaning of the song nor even make out as to which direction the sound came from. However, out of curiosity she stopped from time to time and listened. This went on for several days until she started to guess the meaning of the words in the song. On getting the message home, she was quite disturbed. Her suspicion was strengthened by the fact that each morning they left for the shamba without sweeping or washing utensils but on their return they found everything tidy about the house. One day she deceived the old woman by telling her that she was going to attend to the call of nature while in fact her intention was to discover the house and stood listening keenly at the door. She got really upset with the boy’s derogatory song. She pondered with herself, “ So this is my husband to be? A hunch back confined to a drum? No wonder the old woman deceived me the way she did. What girl in proper senses could marry a man like that? Anyway what can I do now? I must put an end to this continued bluff…..”
One morning she said to the old woman, “Mother, today will you go to look for firewood while I go to the plantation alone?” The old woman said, “Yes, my daughter, we can share work that way.” She had grown so used to the cheerful and friendly manner of the girl, thinking that she would not mind staying on as her daughter – in law even after discovering that her son was deformed. Indeed she was already contemplating making the revelation to her.
And so each went her separate way. But as soon as the old woman vanished from sight the girl dashed back and stood at the door which had now become a familiar ground for spying on the hunchback. She listened briefly as the boy sang mischievously inside the house. Then she stole a quick glance peeping through a side hole.
To her amazement, she saw that he was a real hunchback! Quite oblivious, the boy went on sweeping the floor and singing. The girl felt that she could no longer stand it. She broke into the house suddenly with the intention of beating up the mischievous fellow. But before she could get hold of him he dodged nimbly and slipped back into the drum. Nonetheless, the girl fuming with anger picked up the drum and smashed it on the floor. A pool of blood started oozing from the broken drum. The poor hunchback was dead.
Considering it appropriate revenge on the old woman the girl felt no remorse for the action she had taken. She rolled over the cold body of the hunchback as a lump of anger swelled up in her throat. When the old woman returned home and found the mess she had done in the house she screamed at the top of her voice, “ Ooh , oh…. Uuuuwee…. Uuuuweeeeeee!” But it was all in vain. The deformed boy whom she had been ashamed of showing to the public was dead and gone forever! Yes, instead of feeling relieved by the burden of shame she now felt great anguish for this loss. After killing the hunchback the girl also disappeared never to be seen again. The poor old woman remained there weeping and feeling quite forlorn.

(a) Place this narrative in its correct genre ..

(b)How is the old woman to blame for the tragedy that befell her?

(c) Identify two socio – economic activities in the community. Support your answer with the evidence from the story

(d) What is the role of the song in the narrative?

(e)With illustrations, describe the character of:
(i) The girl
(ii) The old woman

(f) Explain two features typical of oral narratives present in this story.

(g) Identify and illustrate any two moral lessons we learn from this narrative

Answers

(a) A trickster narrative . The girl is tricked by the old woman to marry her deformed son.

(b)

(i) If the old woman had allowed her son free movement, he would have been in a better position to get himself a wife of his own choice who would have accepted him the way he was.

or

(ii). I the boy had courted the girl himself, she would have appreciated him despite his deformities
and would never ever have thought of the action that she finally took.

(c)

(i) Payment of bride price.

The mother of the boy said that he had gone to work in far off lands so that the could earn something to be able to pay bride price . Boys were found wives by their parents /marriage
The boy tells his mother to get him a wife e now that he has grown up.
(ii) Farming. .The old woman and the girl went to weed.

(D) (i) A source of information of the girl who learns the whereabouts of the boy from it

(ii) She discovers the reason why the boy is hidden in a drum from this song. He is a hunchback.

(E) Character trait of the girl:

(i) Foolish / naïve: she accept the old woman’s excuses.

Patient / understanding: she patiently waits to meet the young man she is expected to marry and initially accepts the boy’s return for the injustice done to her by the old woman.

(ii) The old woman: Foolish / simpleton. She is foolish to imagine that the girl will agree to be married by his son
d) We should be proud of whatever we own however good or bad.

The old woman hid her son in a drum and paid dearly for deceiving the girl who killed him. The girl finally escaped.

F. Dialogue between the old woman and the girl,
Rhetorical questions – so this is my husband to be?

A hunch buck confined to a drum?

g(i) We should be kind /love our deformed relatives. The old woman should have allowed him to look for a girl himself. The boy got killed and the girl escaped .

(ii) We should be proud of whatever we own however good or bad.
The old woman hid her son in a drum and paid dearly for deceiving the girl who killed him. The girl finally escaped.we should be kind /love our deformed relatives. The old woman should allow him to look for a girl himself. The boy got killed and the girl escaped

marto answered the question on September 11, 2019 at 11:39

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Krogstad: No matter about that.
Nora: What do you want of me?
Krogstad: An explanation of something.
Nora: Make haste them. What is it?
Krogstad: You know, I suppose, that I have got my dismissal.
Nora: I couldn't prevent it, Mr. Krogstad. I fought as hard as I could on your side, but it was no good.
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Krogstad: I didn't suppose so at all. It would not be the least like our dear Torvald
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Krogstad: Certainly — all the respect he deserves, but since you have kept the matter so carefully to yourself. I make bold to suppose that you have a little clearer idea, than you had yesterday, of what it actually is that you have done?
Nora: More than you could ever teach me.
Krogstad: Yes, such a bad lawyer as I am.
Nora: What is it you want of me?
Krogstad: only to see how you were, Mrs Helmer, 1 have been thinking about you all day long. A mere cashier, a quill driver, a man like me - even he has a little of what is called feeling, you know.
Nora: Show it, then; think of my little children.
Krogstad: Have you and your husband thought of mine? But never mind about that. I only wanted to tell you that you need not take this matter too seriously. In the first place there will be no accusation made on my part.
Nora: No, of course not; I was sure of that.
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Nora: My husband must never get to know anything about it.
Krogstad: How will you be able to prevent it? Am I to understand that you can pay the balance that is owing?
Nora: No, not just at present.
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Nora: No expedient that I mean to make use of.
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g) Identify and explain the use of irony in this excerpt.

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A DOLL’S HOUSE

Nora: But it was absolutely necessary that he should not know! My goodness cant you
Understand that? It was necessary he should have no idea what a dangerous condition he
Was in. It was to me that the doctors came and said that his life was in danger, and that the
only thing to save him was to live in the south. Do you suppose I didn’t try, first of all, to get
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Nora:No, never. Papa died just at that time. I had meant to let him into the secret and beg him
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Mrs. Linde : Good heavens, no! How could you think so? A man who has such strong opinion about
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manly independence, to know that he owed me anything! It would upset our mutual
relations altogether; our beautiful happy home would no longer be what it is now

Mrs. LInde: Do you mean never to tell about it?

Nora:(meditatively and with a half-smile) Yes –someday perhaps, after many years, when I am no
longer as nice-looking as I am now. Don’t laugh at me! I mean, of course, when Torvald is no
longer as devoted to me as he is now; when my dancing and dressing –up and reciting have
paled on him; then it may be a good thing to have something in reserve-(breaking off)What
nonsense! That time will never come. Now what do you think of my greatest secret, Christine?
Do you still think I am of no use? I can tell you , too, that this affair has caused me a lot of
worry. It has been by no means easy for me to meet my engagements punctually. I may tell you
that there is something that is called in business, quarterly interest and another thing called
payment in installments and it is always so dreadfully difficult to manage them. I have not been
able to put a side much from housekeeping money for Torvald must have a good table. I could not
let my children be shabbily dressed; I have felt obliged to use up all he gave me for them, the sweet little darlings.

Questions

1. Briefly describe what happens before the events in this extract.

2. State and explain any two aspects of style used in this extract

3. How is Mrs. Linde depicted in this extract?

4. What is the attitude of Mrs. Linde towards Nora? Explain

5. Explain how the 'imprudence' of Nora later complicates the events of the play.

6. Who is a shadow character in a play? In this extract identify one shadow character. What is his\her significance in the play

7. Add a question tag:

A wife cannot borrow money without her husband’s consent

8. Explain the meaning of the following words.

i) Indulgent

ii) Thoughtless

iii) Caprices

iv) Devoted

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Mrs. Linde: Nora-it was Krogstad who lent you the money!

Nora: Yes, and now Torvald will know all about it.

Mrs. Linde: Believe me, Nora, that’s the best thing for both of you.

Nora: You don’t know all. I forged a name.

Mrs. Linde: Good heavens-!

Nora: I only want to say this to you, Christine- you must be my witness.

Mrs. Linde: Your witness? What do you mean? What am I to -?

Nora: If I should go out of my mind-and it might easily happenMrs. Linde: Nora!

Mrs. Linde: Nora! Nora! You are quite out of your mind.

Nora: And if it should happen that there were someone who wanted to take all the responsibility,
all the blame, you understandMrs. Linde: Yes, yes- but how can you suppose-?

Nora: Then you must be my witness, that it is not true, Christine. I am not out of my mind at all; I
am in my right senses now, and I tell you no one else has known anything about it; I and I alone,
did the whole thing. Remember that.

Mrs. Linde: I will, indeed. But o don’t understand all this.

Nora: Or if anything else should happen to me- anything, for instance, that might prevent my being here-

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i) Briefly explain what has happened before this extract.

ii) 'Nora- it was Krogstad who lent you the money!' Explain the tone in Christine’s
words.

iii) 'Believe me Nora, that’s the best thing for both of you.' From later in the play which reason does Mrs. Linde give to support what she says now?

v) Discuss one character trait of Nora evident in this extract.

v) Discuss one social theme raised in this extract.

vi) 'Nora! Nora! You are quite out of your mind.' Add a question tag.

vii) Discuss one aspect of style in this extract.

viii)Nora says that a wonderful thing is going to happen. From the rest of the play, explain what she means by that.

ix)Explain the meaning of the following phrases as used in the extract.

a) Go out of mind

b) I forged a name

c) You will be my witness

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