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Literary criticism is basically an evaluation i.e. a judgment of value of literary works. It involves Understanding, analyzing and interpreting literary phenomena (facts or occurrence) in order to arrive at a balanced judgment.
An underlying assumption is that the critic knows the laws which govern the nature of literary
phenomena and that what is being interpreted has value arising out of its nature.
Hence, literary criticism investigates the nature of literary phenomena in an attempt to establish their function and hence their value. Literary criticism explains how and why literary value is realized in and through the nature of a literary work.
It explains and conducts and inquiry into how and why language is used in order to reveal the
cognitive and aesthetic nature and function of literary works.
Hence, the general nature and function of literary phenomena are established and this helps us to distinguish between what is literary and what is non-literary and to recognize quality when we encounter it. Also, literary criticism underlines the fact that all literary works have something in common as they fall under the general term literature. However, we recognize that every literary work is in a sense unique since it reveals something about human experience and man's
relationship with his environment in a new way. Consequently, a literary work is evaluated on its own terms.
NB: Although there exist common laws governing the nature of literary phenomena. Not all
works of literature use language and other literary techniques in the same way.
e.g. A poet may decide to use figurative language but not irony. But, the significance lies in what and how they tell us about life. Literary criticism focuses on human experiences reflected and expressed aesthetically and accounts for how this is done and why it is of value for man kind and life. Literature demands that criticism should account for its humanistic, universal and eternal value. The evaluation of a written literary work on its own terms calls for intensive reading so as to arrive at the value of a literary work and a balanced judgment. Literary criticism does not mean a condemnation of literary works although it can condemn them at times.
Literary works are created by man for man hence, should be handled with compassion and
approached with a sense of humility and modesty. However, the need for compassion does not
condone dishonest, flattery and cowardly literary criticism. Literature, as the soviet novelist
Mikhail Shekhov says, should be talked about in a straight, fearless way and to call a spade a
spade. This calls for objectivity in literary criticism and hence a balanced evaluation of what is written. Thus, literary criticism does not condemn works on flimsy grounds such as dislike of the subject –matter or the racial origins of creators of literary works. What is of lasting value- both cognitively and aesthetically for mankind?
Objectivity frowns upon subjectivism. i.e. the assertion that only one interpretation is valid
objectivity demand that we look at a literary work in its totality putting into consideration that in its nature a literary work is a complete autonomous world.
Consequently, literary criticism does not see literature purely in terms of its aesthetic features, its content, its background, its psychology or its form. Since a literary work is more than any of these though literary criticism admits that a focus on what a critic thinks is an important feature in a particular work. Literary criticism demands coherence not scattered impressions. The nature of the illusion of reality demands that the critic does distinguish between life and its reflection in literature. A critic should develop critical faculties so as to appreciate works produced by sensitive literary writers in an attempt to understand and cope with life aesthetically for the good of mankind.
Titany answered the question on November 11, 2021 at 09:31
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- MICERE G. MUGO: Digging Our Grave
My subconscious
Leaks out
A past
I have long buried
Marching under
Drenching rain Draining
heat Heavy escort
Fenced in on every side
By howling, vicious guards At...(Solved)
MICERE G. MUGO: Digging Our Grave
My subconscious
Leaks out
A past
I have long buried
Marching under
Drenching rain Draining
heat Heavy escort
Fenced in on every side
By howling, vicious guards At the
crack of dawn
Miles from home
An unbroken file of men and women, Boys and
girls
Heading north
To Kirinyaga Forest trench White-
washed
In colonial propaganda
Loyalised
Venomed
Against blood-brothers A
raving guard Slashes at
Mumbi
As she halts
To shift her bundle From
shoulder to breast
“ In the name of Ngai I get
you bwana,
Spare my child!” she cries
On the slopes of the sacred mountain „ Ngai
sanctuary –
His children bend Low
Slaving Hungry Weather
beaten Crushed with
blows Digging day-long
A grave
A trap
For brothers In the
forest
A twenty –foot gulf Separates
Blood from blood
Grinning the expose Rows
of spikes That lie waiting
To crucify
Him who dares plan A
reunion
Curfew starts at sunset Away back in
the trench Journeying back in the
dark Cries of hungry children Tear
mother's hearts
While fathers
-castrated- Tamely
listen
And gaze at their toes
Survivors arrive At
midnight
At first cock-crow The pot
leaves the fire At third cock-
crow The daily March Again
begins.....
Under the sweat of Today
labour
We forgive the past
Impossible to forget
Questions
1. Explain the meaning of the title of the poem
2. What is the main theme of this poem?
3. What does the speaker reveal about the guards?
4. explain the meaning of the following lines as used in the poem:
(a) “Bundle” (line 25)
(b)“ a twenty-foot gulf separates blood from blood”(lines 43-45)
(c) “- castrated_” (line58).
Date posted: November 11, 2021. Answers (1)
- Tell me thou proud jigger,
Having stolen your way in
Need you beat your chest
In premature celebration?
Your flying brother
Sang a song of victory...(Solved)
Tell me thou proud jigger,
Having stolen your way in
Need you beat your chest
In premature celebration?
Your flying brother
Sang a song of victory
Before he tasted the toast
And met his singing end.
We thought you had learned
To taste and not devour
Unmindful of other mouths
In the neighborhood of time
Come thou proud jigger
Follow the prick in my hand
And celebrate your death
Beside thy favourite toe
Explanation
Jigger is another word for chigoe, a tropical flea which burrows
into the skin of its host. A toast in British custom is drink to wish someone good health
or success. For example, at a wedding, someone proposes a toast to the bride and
groom whereon all present wills and, raise their glasses, repeat “to the bride and
groom”, and drink.
Toast in another sense is a slice of bread browned on both sides by radiant heat.
Questions
1. Who/What is the second stanza referring to?
2. Who does the „you‟ in the third stanza refer to?
3. What does the persona achieve by talking to the jigger as if it understands him?
4. What is the moral teaching of this story?
5. Give the meaning of the following lines as they have been used in the poem
(a) “In premature celebration?” (line4)
(b) “Before he tasted the toast” (line7)
Date posted: November 11, 2021. Answers (1)
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